A festival of cutting-edge contemporary classical music


Reverb 2012 Interview: Ana Silvera

Each week until December 2012, we’ll be uploading an interview with one of the artists involved with Reverb Festival 2012. Our first interview is courtesy of rising star Ana Silvera – you can listen via Soundcloud or have a read below:

Ana Silvera – performing with the Estonian Television Girls Choir

Reverb 2012 – Sunday 26 February / 7.30pm / £10 – £30

AS – Ana Silvera

AM – Alex Mee – Roundhouse Radio

AM: What will you be performing?

AS: I recently wrote a piece called Oracles which is a song cycle in seven parts. And I’m also writing a four piece movement for choir electronics and solo voice which is a work in progress. It doesn’t have a title but it’s a collaboration with composer Max de Wardener who’s working on the electronics and co-arranging with me.

AM: What is it about the voice as an instrument that inspires you?

AS: I think it’s the most expressive pallet you can possibly have especially if you take it beyond the normal realms of what choirs and voices are expected to do. My plan for this piece is for it to take in all sorts of feelings and sounds, so percussive as well as harmonic and polyphonic. It’s just this amazing instrument tool to play with. The Estonian Girls Choir are soprano, alto and tenor and so that’s an interesting challenge to not have bass in there.

AM: When we were doing some research for this, one of the tags that people use to describe you was as a folk opera artist. Is that a tag that you’re happy with and do you feel it describes your work?

AS: Oh wow – that’s interesting. The opera bit is a little misleading because it implies that I sing in an operatic way which I don’t but I suppose that’s referring to the strong classical influence to my music and the folk is definitely true. Perhaps not in the normal sense of a folk sound but probably more in the sense of telling stories, relating narratives using traditional tales to shape my music and taking on personas from various folk tales.

AM: How was it working with the Roundhouse experimental choir?

AS: It was a great pleasure. They are really strong and lovely singers. I felt very supported because it was an interesting process of creation. I had the idea before I had any of the music to make this seven song cycle and they were very much with me as I developed it. Also their willingness to experiment as their name suggests was really helpful because I could just give them a sense of an idea and they could run with it.

AM: You mentioned the folklore aspects of your work. Why have you chosen to use that as inspiration? Was it just a personal interest?

AS: Well that’s a really interesting question. I think there’s something very archetypal about those stories and there are some very important emotions and journeys but at the same time it’s so multi-layered. They work on both the literal – the sheer enjoyment of a story – but also a psychological and also a spiritual sense because they often involve some kind of spiritual question and quest. I think I was also keen to not solely write songs from a personal perspective because I think that can sometimes be quite limited. You create a persona that is the conventional ‘I’ which is the artist and I wanted to broaden that out and deliberately take on different personalities and perspectives.

AM: Are you also doing a collaboration with Imogen Heap on the night?

AS: We are indeed. I’m probably going to be dueting with her on one of her songs and I think it’s going to work the other way round as well although we’re yet to decide on what we’re going to duet on together.

AM: Are you looking forward to it?

AS: Absolutely. For a start she’s got a fantastic voice and I’m getting to know her work. I was obviously already aware of her and her work and thought it was excellent.  So I’m very much looking forward to it. Harmonising is one of my favourite things to do. So not only am I going to have a choir but also a fellow solo artist – it’s great.

AM: Do you think bringing in highly recognised artists from pop culture helps people to access more classical inspired work?

AS: Yeah I guess it does. It’s hard for me to say because I’ve come from the other way round. I’m from a very classical background and it’s been a journey for me going towards pop music via classical. So I suppose it can work both ways.

AM: And finally, what pieces would you recommend for someone just starting out with this type of music?

AS: I would listen to Grizzly Bear, which I’m sure lots of people know. They do some pretty amazing stuff with choirs. Also there’s a composer called Max Richter who wrote a series of pieces. One called Infra which was set as a dance by the Royal Ballet. Also connected to that style are people like Steve Reich and Philip Glass whose style is very melodic and rhythmical, something that you might recognise from pop music.

AM: That’s great, thanks for talking to us

To read more about Ana’s performance at Reverb 2012 and to buy tickets, visit roundhouse.org.uk/reverb

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Reverb 2012 – on sale Friday 14 October

Stay tuned for interviews with Reverb artists over the coming week.

Reverb 2012 at the Roundhouse: A festival of cutting-edge contemporary classical music

24, 25, 26 February & 3, 4 March 2012

Highlights include:
• Orchestra of the Age of Enlightenment (OAE) present The Night Shift with Sir Mark Elder
Aurora Orchestra perform Strauss, Bernstein and Michael Gordon’s Gotham with film by Bill Morrison
• Award-winning singer/songwriter Imogen Heap performs her evocative a cappella soundtrack with the Holst Singers
London Contemporary Orchestra with Nonclassical premieres Gabriel Prokofiev’s Concerto for Bass Drum and Orchestra and performs music by Radiohead’s Jonny Greenwood
Voices Now choral takeover invites choirs from all backgrounds to sing alongside the BBC Singers

The Roundhouse presents Reverb 2012 which celebrates a new generation of performers who have broken out of ‘traditional’ classical concerts, redefined the rules and shattered boundaries. Artists are creating new music in new venues with inspiring visuals and genre-defying collaborations, all moving new audiences. The Roundhouse – with its unique space, atmosphere and heritage – is at the forefront of this movement.

Reverb 2012 is a five-day festival that celebrates this new wave of artists and in an Olympic year explores themes of love and truce. The line-up includes the Orchestra of the Age of Enlightenment’s ever-popular Night Shift and the award-winning Aurora Orchestra who both explore the story of Romeo and Juliet; Imogen Heap’s evocative a cappella film soundtrack to the silent classic The Seashell and the Clergyman is performed alongside Ana Silvera’s exploration of love, war and mystery; the London Contemporary Orchestra join forces with Nonclassical and their rebellious classical club night and Voices Now’s choral takeover celebrates a coming-together of choirs from across the nation as part of the BBC’s Music Nation, a countdown event for the London 2012 festival, the finale of the Cultural Olympiad.

The festival begins on Friday 24 February 2012 with The Night Shift, which returns after a sell-out performance at Reverb 2010 with one of their most ambitious projects to date. The 90-piece Orchestra of the Age of Enlightenment, conducted by Sir Mark Elder, will recreate the sounds of 19th-century Paris in Berlioz’s Romeo and Juliet. The Night Shift is London’s unique classical night, bringing audiences great music in a relaxed and contemporary setting. The evening begins and ends with live sets by the Roundhouse Music Collective who bring their unique blend of alternative classical, jazz and electronica to The Night Shift, plus DJs throughout the Roundhouse foyers. In the lead-up to their Roundhouse performance, players from the Orchestra will be touring pubs in North, South, East and West London, taking their unique Night Shift atmosphere right across the capital. More information at http://www.oae.co.uk/thenightshift

On Saturday 25 February, Aurora Orchestra and its conductor Nicholas Collon present Love Song for the City, a characteristically eclectic programme charting a course from violence and destruction to rebirth and the vibrancy of urban life. The desolate post-war German cities of Strauss’ Metamorphosen give way to the dizzying growth of modern New York as imagined by Michael Gordon in Gotham, Bill Morrison’s breathtaking black-and-white film enriching a visceral contemporary classic. The programme is completed by the Symphonic Dances from Bernstein’s West Side Story in a virtuosic new chamber arrangement evoking the flavour of the original West End pit-band instrumentation. Founded in 2005, Aurora Orchestra has been hailed as ‘Britain’s brightest young ensemble’ (The Times) and is going from strength to strength, winning the RPS Ensemble Award earlier this year.

Sunday 26 February sees award-winning singer-songwriter Imogen Heap perform her a cappella soundtrack for the 1928 French surrealist silent film The Seashell and the Clergyman (originally commissioned by Birds Eye View Film Festival and the Southbank Centre) with the acclaimed UK choir the Holst Singers. Imogen Heap is a Grammy nominated multi-instrumentalist, and an innovative singer-songwriter with a reputation for pioneering a new type of artist/audience relationship through her use of the internet and social media. Alongside this, composer and vocalist Ana Silvera brings her own uniquely heartfelt songs, exploring themes of love, war, death and mystery to the Roundhouse, accompanied by the Baltic sounds of the Estonian Television Girls’ Choir in arrangements by electronic artist Max De Wardener and Estonian composer Elo Masing. Founded by Eve Viilup and Aarne Saluveer in 1990, the ETVGC is made up of 30 singers aged between 15 and 25. The choir has won numerous awards and travelled around the world, working with composers including Arvo Pärt and Veljo Tormis.

On 3 and 4 March, Reverb 2012 is part of the BBC’s Music Nation, a Countdown Event for the London 2012 Festival, the finale of the Cultural Olympiad.

On 3 March, two of the UK’s most adventurous groups – the London Contemporary Orchestra (LCO) and Nonclassical – present a unique evening at the Roundhouse. The LCO perform works by some of the 20th century’s most iconic composers including Xenakis’s Metastasis and Stockhausen’s Studie I. This is set alongside Doghouse by Radiohead’s Jonny Greenwood, a 20-minute orchestral work forming part of the composer’s film score to Norwegian Wood, described by The New York Times as ‘consistently involving…with intuitive use of dissonance and resolution’; and the European premiere of Gabriel Prokofiev’s Concerto for Bass Drum and Orchestra , with soloist Joby Burgess, who recently released Import/Export on Prokofiev’s record label Nonclassical. Fresh from his acclaimed BBC Proms debut, Gabriel’s background in dance music combined with his classical roots gives his writing a unique edge. Throughout the evening, Nonclassical presents DJ sets from Richard Lannoy and Gabriel Prokofiev, featuring the latest from the label and live sets by soloists from the LCO and Roundhouse Music Collective, bringing the unique atmosphere of their classical club nights to the Roundhouse.

The festival closes on Sunday 4 March with Voices Now, which will see Making Music and the BBC Singers showcase some of the UK’s best choirs. Following the huge success of the first Voices Now Festival at the Roundhouse in March 2011, when over 2,000 singers performed at the venue, this event sees groups from every corner of London and the UK, with styles ranging from folk, world and beat-boxing to classical, perform throughout the day, following performances given in their local areas the day before. The event culminates in a mass performance of Orlando Gough’s Making Music Overture – a new work commissioned by Making Music as part of the London 2012 Cultural Olympiad. Voices Now and Making Music are inviting choirs from all backgrounds to take part. To get involved and for more details visit http://www.voicesnow.org.uk

All performances will be streamed live on the Roundhouse website and on Roundhouse Radio 

Listings and Booking Information

Roundhouse Members Priority Booking: Thursday 13 October
Become a Roundhouse Member today for as little as £40 to receive priority booking to Reverb 2012 plus other great benefits – visit roundhouse.org.uk/memberships

General Booking: Friday 14 October

Buy Tickets: roundhouse.org.uk/reverb

Ticket Offer: Receive 20% off when you purchase a ticket for more than one Reverb event – first 100 tickets only for each event. Offer available by booking via 0844 482 8008 (offer not available online).
Terms & conditions: Offer not available retrospectively or in conjunction with any other discounts. Offer subject to allocation availability.

The Night Shift/OAE/Elder
Roundhouse Music Collective
Friday 24 February 2012
Doors and foyer performances from 7pm, Main Space performance 9pm
Berlioz – Romeo & Juliet (extracts)
Tickets: £5 (standing),£15, £20 and £25

Aurora Orchestra/Collon – Love Song for the City
Saturday 25 February 2012, 7.30pm
Richard Strauss – Metamorphosen
Michael Gordon – Gotham (with film by Bill Morrison)
Leonard Bernstein arr. Iain Farrington – Symphonic Dances from West Side Story
Tickets: £10 (standing), £15, 20 and £25

Imogen Heap/Holst Singers/Brunt
Ana Silvera/Estonian Television Girls Choir/Saluveer
Sunday 26 February 2012, 7pm
Imogen Heap – The Seashell and the Clergyman
(Original commission by Birds Eye View Film Festival and the Southbank Centre.)
Ana Silvera – Oracles (plus new works)
Tickets: £10 (standing), £15, 20 and £30
Performance repeated on Monday 27 February 2012 at the Sage Gateshead

London Contemporary Orchestra/Brunt/Burgess/Pioro/Ames/Coates
Nonclassical DJ sets
Saturday 3 March 2012
Doors and live music from 7pm, LCO from 8pm
Xenakis – Metastasis
Gabriel Prokofiev – Concerto for Bass Drum and Orchestra (European Premiere)
Stockhausen – Studie I (Elektronische Musik)
Jonny Greenwood – Doghouse
Vivier – Orion
Tickets: £15 (standing), £20(balcony seating)

Voices Now
Sunday 4 March 2012, Foyer and Main Space performances from 12pm
Repertoire to include Orlando Gough – Making Music Overture ‘Traditional Values’
Tickets free – programme details available from November 2011 at voicesnow.org.uk

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Stay tuned…

For fans of contemporary classical, stay tuned for a big announcement from the Roundhouse on Thursday 13 October!